The people who sell pastels, I've learned, want you to believe happiness comes in every of the 10, 15, 23 or 56 shades they offer.
Maybe it's true.
I'm taking an "Expressions in Pastels" class, and today went to a crafts store to load up, my teacher's list in hand. I had to ask for help, after being distracted by the poster prints section (a painting of a woman with flowers by Diego Rivera caught my eye). Now everything is placed on a folding table downstairs. Giant board so I can work outside = check. 3 charcoal pencils, 5 large colored sheets of pastel drawing paper, a pastel drawing pad, check. The box of pastels.
I could have gone for one collection that was around $80, or one at around $56. I went with something humbler, and ended up laughing as I pulled out the slip of paper serving as directions:
"Using purest degree of pigment, Gallery Semi-Hard Pastels have unsurpassed bright colors and highest degree of light-fastness."
Having worked in a Japanese restaurant, I recognize the blunted syntax of someone for whom English isn't a first language. I'm just a little confused - how can pigment be "pure"? Isn't pigment pigment?
"Light-fastness" - that's actually very beautiful. My pastel chalks have "light-fastness" against paper, like something out of Genesis.
They offer 120 colors in full: Cadmium red, Vermilion, Prussian blue, Cobalt blue, Deep phthalo blue ("phthalo" - may be a good one to hoard away for a Scrabble game, if it's a word!), True green (true green?), Deep chromium oxide green, Viridian, Hooker's Green (I'm serious - and it looks like a pretty mellow tone), May green, Light green field yellowish (again, serious), Pale bister, Van dyke red hue, Light flesh, Medium flesh, Dark flesh (all salmony pinks), Warm grey I - VI and Cool grey I-VI. As well as others that don't strike my poetic ear the same way :)
But I'm curious where the words come from: bister, delft, phthalo, viridian, carmine.
All with "highest degree of light-fastness."
***
I have my first assignment to do, and it will involve another cool word: "scumbling." It's very evocative of what your fingers and the pastel stub actually do. From the handout: "...scumbling involves using the side of the stick in a loose motion to create a thin veil of color which doesn't entirely obliterate the one underneath. The effect is rather like looking at a color through a thin haze of smoke." The picture closeup of a hand "scumbling" fits a little better for me. The fingers drag a pink stick into a series of mazy lines, which, on the brown paper, resemble bark.
Three pictures below show "finished" projects. One, "scumbling light over dark," looks like birds in flight. The two others look like tree foliage and water respectively.
I'm really going to enjoy this class.